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A collage depicting a group of faceless men wearing fedoras and looking off into the distance.

Stephen Knezovich for Artist Editions

Infinite Lives Issue 02

A concept derived from video gaming, “lives” represent multiple—and often endless—incarnations of not only an individual, but also the many realities he or she inhabits. In this issue, those “lives” are represented by resurrected artworks, legacies of labor, public trust and inclusion, generational photo archives, and the lifespan of the museum itself.

  1. Visions of Lives Past and Present

  2. Open Spaces: Public Trust and the Shifting Role of Art Museums

  3. A Son Reckons with His Father’s Past Lives


In her series Indoor Voices, photographer Hannah Altman documents her evolving relationship with her mother.

A curated selection of writing at the intersection of art, culture, and community, compiled each week by the editors of Storyboard.

Inside the Northside studio of legendary sculptor Thaddeus Mosley.


Sarah Rafson explores women's contributions to architecture, with a focus on the accomplishments of Grafton Architects.

Both a plea and a polemic, this powerful essay revises how we think about Black art and artists.

Niela Orr explores Charles "Teenie" Harris's double exposure of Nina Simone, one of the more arresting images the photographer captured during his decades long career.