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  • Journals
    • Issue 01
    • Issue 02
    • Issue 03
    • Issue 04
  • Series
    • Art Tracks
    • Collectors
    • Envisioning Appalachia
    • Interview
    • Neighborhoods
    • Photo Essay
    • Required Reading
    • Studio Visit
    • Without Walls
    • All Series
  • Topics
    • Architecture
    • Carnegie International
    • Contemporary Art
    • Decorative Arts and Design
    • Film and Video
    • Fine Arts
    • Hillman Photography Initiative
    • Photography
    • Teenie Harris Archive
    • All Topics
Tess Takahashi portrait

Tess Takahashi

Tess Takahashi is a Toronto-based scholar, writer, and programmer who focuses on experimental moving image arts. She is currently working on two book projects, Impure Film: Medium Specificity and the North American Avant-Garde (1968–2008) and Magnitude: the Abstraction, the Imprint, the Encounter, and the Elsewhere. She was scholar-in-residence at the Film-Makers’ Co-op in New York City in 2015 and is scholar-in-residence at Canyon Cinema in San Francisco in 2017. Takahashi is a member of the experimental media programming collective, Ad Hoc, and the editorial collective for Camera Obscura: Feminism, Culture, and Media. Her writing has been published there, as well as in Cinema Journal, Millennium Film Journal, Animation, MIRAGE, and Cinema Scope.

  • Film and Video
A woman adjusts one of seven TV monitors perched on a row of classical pedestals, sculpted tree trunks, and an urn. Various landscape images are visible on the screens.

Uncovering the Secret History of Video Art at the Carnegie

Tess Takahashi looks back at the first decade of video art at Carnegie Museum of Art.

By Tess Takahashi Jan 26, 2018

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