Artist Lenka Clayton’s attic studio in Polish Hill. Photo: Bryan Conley
Regular feature series or “columns” to the blog.
With his Nearsighted series, photographer Tom Souzer gets up close and personal with the people of Downtown Pittsburgh.
Matthew Newton considers Pittsburgh's industrial past, and how that has legacy has shaped the city's identity over the last four decades.
The Appalachian youth of this summer's Envisioning Our Future program, a collaboration between CMOA and Appalshop, reflect on their experiences.
Kate Fowler examines the death of Pastor Mack Wolford, and her complicated role as documentarian and friend.
Director Lynn Zelevansky considers a variety of art experiences from recent travels.
Dan Leers, curator of photography at Carnegie Museum of Art, talks with photographer Paul Graham about multiplicity in his work.
At one time, Aliquippa was home to the world's largest steel mill. When the mill closed in 1984, however, it left the town with no clear path forward.
With the Art Lending Collection in the Braddock Carnegie Library, Transformazium maintains the community's culture while subverting arts’ narrative.
Director Lynn Zelevansky on CMOA’s historic role supporting avant-garde film and video.
Tracey Berg-Fulton tracks the provenance of a particularly mysterious painting in the permanent collection at Carnegie Museum of Art.